How Much Do Disney Animators Make?

How Much Do Disney Animators Make
What is the salary of a Disney animator? The average Disney animator salary in the United States is $504,556. The average bonus for a Disney animator is $333,333, which represents 66% of their annual pay, and 100% of employees report receiving a bonus annually.

What is the salary of a Disney animator?

Average The annual salary of a 3D animator at The Walt Disney Company in the United States is around $85,000, which is 45 percent more than the national average.

A 29-year-old Disney animator discusses the positive and negative aspects of her profession. The creator and executive producer of “Star vs the Forces of Evil” is Daron Nefcy. YouTube/Disney XD Junior As a child, Daron Nefcy spent a great deal of time in trouble for scribbling all over her textbooks.

But it “truly paid off,” she tells Business Insider with enthusiasm.
Nefcy is the creator, executive producer, and animator of the upcoming Disney TV Animation series “Star vs.
The Forces of Evil,” which will premiere later this month.
The now 29-year-old, who studied Character Animation at CalArts in Valencia, California, recently spoke with Business Insider about how she entered the field of animation, what it’s like to work at Disney, and her best advise for budding artists.

For the sake of clarity, this interview has been reduced and modified. Business Insider: When and how did you choose to become an animator? Daron Nefcy: I have always like animation. I used to create my own comics in elementary school, and I determined in fourth grade that I wanted to become a cartoonist.

So, all those years of getting in trouble for scribbling on my schoolwork paid off. BI: What sort of training have you received for this position? DN: I’m incredibly fortunate because after attending and graduating from a fantastic animation-focused institution, CalArts, I was immediately hired by an animation firm.

Each year at CalArts, students were required to produce our own student short film, which included writing the script, storyboarding, pitching ideas, designing the characters, creating an animatic, casting the actors, editing, sound mixing, and hand-drawn animation.

Before “Star,” I had the opportunity to work on some amazing series at three separate animation studios: “MAD” by Warner Brothers, “Robot and Monster” by Nickelodeon, and “Wander Over Yonder” by Disney.
Being able to work on a number of projects prior to creating my own animated television series was really helpful in teaching me how to manage one.

During the production of the “Star” pilot, I learnt a great deal about the pilot process. When making a pilot, you have a great deal of time to produce that single episode. Once it’s in production, though, things move considerably more quickly. BI: Please elaborate on your latest endeavor, “Star vs the Forces of Evil.” The program is about Star Butterfly, a princess from another realm who comes to Earth as an exchange student.

On Earth, she resides with the Diaz family, who have a boy named Marco her age.
She and Marco become close friends and embark on high school and multiverse-spanning adventures, battling monsters along the way.
Can you describe the animation procedure? DN: It is a lengthy procedure! A interesting part of “Star” is that it is a storyboard-driven program, which means that each episode is graphically planned out by the artists, who create hundreds of drawings every episode illustrating precisely how the characters should be acting and how the setting should look, etc.

The unique aspect of a board-driven performance is that the board artists also write. The “Star” authors provide a two-page blueprint. Once this is authorized, the board artists transform the outline into a full script on paper (or drawings on a computer).

The board artists must be able to compose dialogue, know the tale, draw, stage, and act, among other skills.
Essentially, they must be really gifted.
In the television animation industry, there is almost always a collaborative effort involving the creator, executive producer, art director, backdrop designer, character designer, and board artist — all of whom are animators — to establish a “template” for a show’s design.

This template is then shipped overseas for the completion of technical animation. ‘Star vs the Evil Forces’ Disney XD/STAR What is the most difficult or demanding aspect of becoming an animator? There are many moving parts involved in putting up a spectacle.

I would say that one of the most difficult aspects of my profession is letting go of things.
You want the program to be flawless, but this is television, and due to time constraints, you must learn to let things go.
In addition, storyboard artists have evolved into modern animators as the majority of episodes are now technically animated abroad.

HOW MUCH MONEY ANIMATION ARTISTS MAKE

When people ask me where I work, I just reply “Disney,” and they always believe it’s at the park. They always exclaim, “Oh, how amusing! I’ve always desired employment at Disneyland!” Rarely will I correct them. Working at Disneyland is a fantastic job! What is it like to work at Disney? Have you always desired to work there? I did enjoy Disney as a child, but I never imagined working here.

How much do animators at Disney make per week?

Working at home Salary for Walt Disney Animation

	Annual Salary	Weekly Pay
Top Earners	$100,000	$1,923
75th Percentile	$74,000	$1,423
Average	$57,697	$1,109
25th Percentile	$31,000	$596